Romeo y Julieta

Romeo and Juliet is a tragedy written by William Shakespeare, which describes the relationship of two young lovers whose deaths undoing get the rivalry between their families. Is set in one of the most popular scene from Shakespeare, to be considered one of the representations that have been staged since its emergence, like Hamlet. Their players are regarded as the classic archetype of the "forbidden love." The screenplay is based on an Italian tale from 1562 written by Arthur Brooke, which would be translated into verse, entitled The Tragical History of Romeus and Juliet and then adapted to prose, Palace of Pleasure by William Painter in 1582. Since both descriptions, Shakespeare created and developed their own characters in order to extend the original story. Some sources who conceived and began writing between 1591 and 1595, being first published in 1597. In principle, the text of Brooke had a poor quality fiction, although this would be improved in later editions to be comparable to the works of Shakespeare. The dramatic action used by Shakespeare is especially noticeable in the mix of comedy and tragedy before the moment of greatest narrative tension, his expansion of minor arguments and the use of derivatives to give a sense of complexity to the story. This can be determined as one of the perceptions of his abilities as a dramatic writer. It also has a structure that allows its assessment from various poetic forms through different characters, sometimes changing its development as the story. An example of this is Romeo, whom you can identify by their sonnets. Romeo and Juliet has been adapted numerous times for theater, movies, musicals and opera. During the English Restoration, he was again taken up the interest in it, being revised by William Davenant. Results highlight the version of David Garrick, the s. XVIII, which contained several scenes and some modified removals deemed as "indecent," the operatic adaptation of Georg Benda, who failed several action sequences, in addition to having a happy ending, the realistic representation of Charlotte Cushman, the work John Gielgud in the musical West Side Story, and the eponymous 1936 film and the title film Romeo + Juliet.